A. 奇幻童話電影《匹諾曹》定檔6月1日兒童節，你的童年回憶是什麼
我童年的回憶應該就是夏天可以下河游泳，冬天可以看雪花；
現在這兩樣都沒有辦法實現了，所以會格外懷念童年的美好；
那時候雖然說沒有手機但是依舊覺得過得很快樂，因為可以盡情享受大自然的美好；
現在河水都被污染了，再也沒有人會下河去游泳了；
冬天也沒有下雪，根本感受不到冬日的美景。
童年回憶是冬天下雪
小時候的記憶里好像只要是冬天就一定會下雪，然後會和大家一起到門外去堆雪人、打雪仗；
我都已經不記得多久沒有在冬天看到過下雪，所以真的很懷念下雪的冬天。
童年回憶是去外婆家
每次放暑假的時候就會去外婆家玩，那時候在外婆家割稻子、收穀子、抓螃蟹；
如今外婆已經走了，我也有好久都沒有回到那裡了。
B. 如何評價電影《匹諾曹》
《匹諾曹》是一部對兒童友好的電影，導演馬提歐·加洛尼削弱了原著中的黑暗情節，使得這個故事具有更普遍的情感共鳴 。
在該片中，羅伯托·貝尼尼對戈佩托獨特朴實的演繹足以讓觀眾感受到了父親對孩子的純真的關愛，當他發現木偶有生命時，他傳遞出的歡樂超越了童話本身賦予的情感。
化妝師馬克·凱奧耶再次在該片中通過富有想像力的創造力來證實了自己的才華，他巧妙地設計了有著一雙閃閃發光的眼睛和堅硬的木紋臉龐的匹諾曹，給半人半木偶的匹諾曹形象增加了說服力。在攝影師尼古拉·布呂爾的鏡頭下，無論是托斯卡納地區金黃的小麥，還是普利亞地區綠油油的橄欖樹都充分彰顯了義大利的美麗。
劇情簡介
老人戈佩托（羅伯托·貝尼尼飾）把一塊能哭會笑的木頭雕成了木偶，他把取得生命的小木偶當成兒子，並給木偶取名匹諾曹（費德里科·伊帕迪飾）。戈佩托賣掉了上衣，換取了供匹諾曹學習的課本。
可是匹諾曹一心貪玩，為了看木偶戲不惜賣掉課本。匹諾曹隨後在木偶戲班獲得了戲班老闆曼吉亞福科（吉吉·普羅耶蒂飾）的五枚金幣，回家路上卻被狐狸（羅科·帕帕萊奧飾）和貓（馬西莫·切可里尼飾）騙走了金幣。
不久後，在仙女（瑪麗恩·瓦斯飾）的教導下，匹諾曹一心想成為一個用功讀書的好孩子，可是他又經不起誘惑，在壞同學的慫恿下被引誘到玩兒國，在瘋狂地玩了一段時間後，匹諾曹變成一頭又懶又蠢的驢。
後來，匹諾曹被鯊魚吞進了肚子里，他和戈佩托在鯊魚腹中意外重逢，並成功地逃了出來。他們在海邊住下，匹諾曹也在仙女的幫助下並變成一個真正的小孩子。
C. 求1983版《木偶奇遇記》（又叫匹諾曹）真人版。
鼻子會長長的
D. 木偶奇遇記里皮諾曹跟一群小孩子去馬戲團看節目 然後被抓走變成了動物 還跑到了鯨魚的肚子里
木偶奇遇記;經典童話故事哦，如果你要鏈接的話;直接在網路搜索啦。裡面都很全的。
E. 皮諾曹 動畫片
http://www.verycd.com/topics/2810016/《木偶奇遇記》 是科洛迪的代表作，發表於1880年。當仁慈木匠皮帕諾睡覺的時候，夢見一位藍色的天使賦予他最心愛的木偶皮諾曹生命，於是小木偶開始了他的冒險。如果他要成為真正的男孩，他必須通過勇氣、忠心以及誠實的考驗。在歷險中，他因貪玩而逃學，因貪心而受騙，還因此變成了驢子。最後，他掉進一隻大鯨魚的腹中，意外與皮帕諾相逢……經過這次歷險，皮諾曹長大了，他變得誠實、勤勞、善良，終於成為了一個真正的男孩。
F. 一部關於木偶匹諾曹的美國電影
木偶奇遇記
真人版的話是1983年匹威·赫曼主演。
看下是不是這個
http://www.tudou.com/programs/view/HB_wb-nMT1A/isRenhe=1
G. 小時候看過外國的一個電影匹諾曹很早的電影了
是《木頭美人》···
很早的
H. 求動畫片匹諾曹的英文影評
Such animation seems to be dwindling today when looking at- and thinking a lot about- Pinocchio, one of the real landmarks that Walt Disney ever proced. It might have not sparked up as much fascination when it was first released as Snow White and Dumbo did (apparently this and Fantasia did poorly on first release), but over time it's definitely got its place in the pantheon of truly wonderful works by the company. It tells a story that even babies can grasp- something that isn't really real that wants to be so for his creator. In fact, this is probably one of the most palatable stories for kids, about the dire straits of not just trying to fit in, but being a kid and still having to learn responsibilities, truth and courage. Of course, few kids will ever see their friends turn into donkeys or get thrown into the belly of a whale. But it's such out-of-this-world things that make the film so fantastic and terrifying in equal measure. It might lack the overall surreal whammy of Dumbo and Alice in Wonderland, yet in a small group of leaving a lasting impact Pinocchio has its unique bits.
It's got about all that someone could ask for with an animated film, for kids and alts alike. It's got plenty of colorful side characters, both sweet and clumsy and goofy and smart (all taking up the animals like Figaro, the Goldfish, and especially the iconic Jiminy Cricket), as well as ignorant, villainous and evil (Lampwick, Stromboli and Honest John among others). All of these characters are so rich in their simple characterizations that the combination of the old vocal talents- meant more for direct style and appearance instead of star power like in todays animation- and the distinct look of each character, make them all compelling to one degree or another. Just thinking about the scenes with Stromboli, for example, make me think that there had to be someone that imposing and larger-than-life in appearance acting it out as opposed to just the drawing being that. Only the Blue Fairy is the bland type, drawn in the Snow White style. But then the rest of the picture- particularly for Pinocchio and Gepetto- is up for grabs with whatever can be done with them.
So much emotion actually comes out of scenes. And it alternates very well, much as in fairy tales and other fantastical fiction. Pinocchio performs "I've got no strings" in one scene, which is one of the typical highlights, and then the next scene such sweetness gets contrasted with the defeat imposed by the evil Stromboli. What leaves the biggest impression, however, is Fantasy island, where all the boys who don't want to go to school go to, and soon enough (from Cricket's own words), become donkeys. I would probably rank that transformation scene of Lampwick's, by the way, as one of the top 5 scenes in any animated effort ever proced; it starts off kind of amusing, the way Pinocchio tries to put down the cigar, and then becomes like a child's true nightmare as we see his full-on transformation. It's an example of using abstractions that always work best in fairy tales, and somehow has become lost among the constant barrage of juvenile CGI films as of late. Seeing work like this again reminds one of the completeness given in well-rounded (if 2-dinemnsional) stories.
It's got action, music, pomp and circumstance, countless chances at very goofy gags and silly puns, and somehow it all works just as well- if not better in a way- as an alt as when I was a kid. Is it cheesy at times and maybe here and there hitting points home a little hard? Sure. But I never had any dis-liking to the characters, never really felt that I was being cheated with motivations or in some kind of truth in the un-reality of it all. Not to sound cheesy myself, but it is a timeless kind of picture, with a story that when told well can strike a chord with just about anyone willing for the experience. It's old-fashioned sensibilities are still resonant, and the proction values are all top-notch.
I. 皮諾曹是哪部電影的角色
《木偶奇遇記》是科洛迪的代表作，發表於1880年。他由木偶最後變成真人的奇特經歷中發現些許於我們有益的人生至理。皮諾曹的經歷被稱之為「奇遇」，但那可不是一般意義上的離奇遭遇，其中蘊藏著等待我們去仔細咀嚼的深長意味。這個看似簡單的道理並非是一個人生來就可以明白的。否則，皮諾曹也就無需煞費周折才得以完成了這一歷程了。該作品於1940年被迪斯尼公司改編為動畫電影，後分別於1983年和2002年翻拍真人版。