推手电影用英语怎么说

⑴ 《推手》电影中有关于文化冲突或差异的评论要英文的谢谢！！！！

The story is about an elderly Chinese t'ai chi ch'uan teacher and grandfather who emigrates from Beijing to live with his son, American daughter-in-law, and grandson in a New York City suburb. The grandfather is increasingly distanced from the family as a "fish out of water" in Western culture. The film shows the contrast between traditional Chinese ideas of Confucian relationships within a family and the much more informal Western emphasis on the indivial. The friction in the family caused by these differing expectations eventually leads to the grandfather moving out of the family home (something very alien to traditional expectations), and in the process he learns lessons (some comical, some poignant) about how he must adapt to his new surroundings before he comes to terms with his new life.
The title of the film refers to the pushing hands training that is part of the grandfather's t'ai chi routine. Pushing hands is a two person training which teaches t'ai chi students to yield in the face of brute force. T'ai chi ch'uan teachers were persecuted in China ring the Cultural Revolution, and the grandfather's family was broken up as a result. He sent his son to the West several years earlier and when he could he came to live with his family with the expectation of picking up where they left off, but he was unprepared for the very different atmosphere of the West. "Pushing Hands" thereby alludes to the process of adaptation to culture shock felt by a traditional teacher in moving to the United States.

⑵ 推手 PUSHING HANDS怎么样

类似背景的电影，像刮痧，总能引起人们的一些思考。片子的前十多分钟，没有一句对白，儿子回家第一次吃晚饭时的三人对话，是整部影片我最喜欢的部分，文化差异和冲突是影片的基调，但在内涵的表现上却跟其他影片有着天差地别，这也是李安最与众不同的部分。另外郎老先生的表演真心好，十分喜欢。

⑶ 《推手》电影中关于文化冲突或差异的评论要英文的谢谢！！！！

Pushing Hands is Ang Lee's first film after graation, and the first episode of his "Triad of Father." In spite of its status as an early work, it manifests subtlety, elegance and articulation in narration style constantly seen in his latter works. Everyone, whether seen this film or not, can tell that it's about the bondage and gap of affection, relation and interaction within family, but it's more than that. It also tells about culture, not only the apparent differentiation, but the shift within a man's life, the time and the whole modern history of China. If you understand Chinese(language, culture and history), it is delicately overwhelming. If not, it's still amiable and a bit exotic. Pushing Hands is so worth viewing and contemplating again and again.

⑷ 电影《推手》的英文介绍

Master Chu, a retired Chinese Tai-Chi master, moves to Westchester, New York to live with his son Alex, his American daughter-in-law Martha, and their son Jeremy. However, Martha's second novel is suffering from severe writers' block brought on by Chu's presence in the house. Alex must struggle to keep his family together as he battles an inner conflict between cultural tradition and his modern American lifestlye. Written by Kathy Li

Sihung Lung, the actor who played Master Chu, the aging tai chi master, gave a very convincing and sincere performance in this film. It was no wonder that he won the Golden Horse (Taiwan's equivalent for the Oscars) for Best Actor in this film. His performance was extremely touching, as tears jerked into my eyes as I see an aging and traditional Chinese father trying to get along with his westernized family while also trying to adjust to life in a new place and culture. The film encourages people, especially new immigrants, to emphasize and put themselves in their parents' shoes. Try to understand how difficult it is for them to come and settle in a new place and try not to push them away. Be patient with them, take a step back and everything may be better.

The movie title, "Pushing Hands", is very appropriate, as this is the term for an exercise in tai chi in which a person achieves balance by giving up balance. In this non-aggressive exercise between 2 people, a person offers no resistance at all to the pressure or push that the other person is exerting and keeps borrowing this strength until they feel they have fused into one and thus have achieved harmony. This was what Master Chu did. Although his daughter-in-law kept misunderstanding him, causing much discontent and eventually got his son to try to sent him away, he offered no resentment or a temper tantrum. He simply walked away gracefully. This action caused his son to appreciate him and remember why he got his father to live together in the first place in a tear jerking scene and finally they worked out a solution. They decided to give each other space by living separately instead of pushing each other away. In the end everyone was much happier, as even the daughter-in-law learned to accept the father, symbolized by her decorating the guest room for him and asking the question if he would ever visit. The father achieved the balance that he seek in Tai-Chi.

Ang Li is simply amazing and sensational. He did what he could with the limited budget and created a very warm and tear jerking film. Although this film was not the highest quality (the version I saw was very unclear and skips sometimes) and it could feel slow at times, especially the beginning sequence, the film was a great work in directing. The film picked up its pace after the slow beginning without any big fighting scenes or explosions and never felt boring afterwards. Also, from the beginning sequence, where he was able to show the dissension and gap between the daughter-in-law and the father by using just different scenes and visuals, to scenes throughout the film where he used lighting and different camera angles to show the internal pain and sadness that the father experience, it was, simply put, a great piece of art considering the budget. It showcased the talent of Li and gave the audience a glimpse of the man who would bring us the memorable Couching Tiger, Hidden Dragon.

⑸ 哪个好心人能给我李安电影《推手》的英文剧本

有此片的英文字幕，可以在115网盘下载，点击下面的地址：
http://e-card.51.net//115_pickup_file.htm
输入提取码t958a141c4，即可下载。
解压后是srt文件，用记事本打开，就是英文台词了。

⑹ 电影《异能》中的有异能的人用英文怎么说啊 我要全部的 譬如 先知是watcher，但是百度翻译里不一样！

Watchers（推手）
「推手」能入侵人的思想，让人们把「推手」所编造的一些谎话当作事实甚至命令控制意志较薄弱的人。（代表人物：琪拉、亨利·卡佛探员）
Movers（灵动人）
一般人认识的超能力（念力），能以意念移动人或物体，是一般对异能人的简单称呼。（代表人物：尼克·甘特）
Pushers（透视人）
「透视人」能看到未来的景像，亦可以寻找人或物的踪影。（代表人物：凯西·荷姆斯）
Bleeders（音爆人）
能从口发出巨大声音对物件甚至人作出损伤。（代表人物：THE POP BOYS）
Sniffs（灵嗅人）
能从接触过的东西，知道它所到的地方。（代表人物：EMILY HU）
Shifters（变形人）
「变形人」能把一件物件变成另一件物件。（代表人物：HOOK WATERS）
Wipers（消忆人）
能将某些物件或人匿迹，使一般人不能见到，包括灵嗅人，但逃不过透视人的能力。但不能使一栋巨大建筑匿迹。（代表人物：PINKY STEIN）
Shadows（灵影者）
能把人们的某部分记忆消除（代表人物：WO CHIANG）
Stitches（灵疗师）
帮人治疗创伤，又或将人扭伤（代表人物：TERESA STOWE）

⑺ 电影《推手》得写作背景以及情节介绍

《推手》（英文：Pushing Hands）是一部於1991年上映的台湾电影，是李安执导的第一部电影，由郎雄、王莱等主演。电影上映前，因剧本获得台湾行政院新闻局颁赠40万新台币奖金，配合中央电影公司的支持下，让李安首度获得执导的机会。台湾导演李安运用近代家庭变迁搭配细腻描述亲情互动，因而享誉国际的『父亲三部曲』之第一部曲。

剧情简介

朱老自小练就一身太极拳，是北京市太极拳的总教头，膝下育有一位定居美国的儿子朱晓生。某天，从小孝顺的儿子晓生为尽孝道，游说留在故乡的老父移民到美国，一起与儿子和洋儿媳同住。

但是，朱老由於语言不通及生活习惯不同，导致无法适应美国的生活，甚至於令他与洋媳妇玛莎渐生磨擦，彼此都认为无法与对方相处，完全要透过晓生间接表达，更由於玛莎内心的排斥，对朱老的一举一动均不能接受，致无法专心从事写作工作，最後导致胃出血而入院。

玛莎经过疗养出院後，依然无法接纳朱老，一天，朱老因为小家庭气氛太沉闷，往外头遛达，在人生地不熟的美国，迷了路回不了家。晓生得知父亲走失的消息，急的如热锅上的蚂蚁，驾车四处寻找，却几度寻找不著，晓生回到家中後，对妻子玛莎发了一顿脾气，把家当摔了满地，终於摔醒了玛莎的心。

朱老後来被警方寻回，但为了顾及儿子与儿媳妇一家生活的圆满，离家自寻生活，独自一人跑到唐人街一家餐馆帮人洗碗盤打工维持生活，由於洗碗盤手生不俐落而备受老板奚落，第二天就要将他解雇，并且出言相辱，朱老受辱不愿离开，老板令其手下欲强行将朱老拖出，惟朱老练过太极拳，深谙推手功夫，只见他原步未动，马步一扎，身形微沉，利用听劲走化技巧，七、八个壮汉无法将他移动半步，老板大怒，找来华青帮小混混，在厨房与朱老大战，朱老以几个太极拳散手工夫便将小混混撂倒，後来美国警察出来收拾残局，费尽九牛二虎之力才将朱老带回警局看守所中。

朱老被警方带走，晓生驱车前去探望，玛莎内心甚为感慨，後来晓生将朱老保出，并买了一间较大的房子，也为朱老备了一间练功房，欲接朱老回家，但朱老不想破坏儿子一家温馨的生活，宁愿独自在外赁屋而居，并在华人活动中心教授太极拳，也不愿返回儿子身边。

⑻ 电影推手的经典英文台词及翻译 5句

电影推手的完整台词，中英对照，见附件。

txt 格式，用记事本打开。