① 印度电影三个傻瓜大闹宝莱坞是哪所大学
《三傻大闹宝莱坞》
《三傻大闹宝莱坞》根据印度畅销书作家奇坦·巴哈特的处女作小说《五点人》改编而成的印度宝莱坞电影，由拉库马·希拉尼执导，阿米尔·汗、马德哈万、沙尔曼·乔什和卡琳娜·卡普等联袂出演。2011年12月8日在中国内地上映。影片采用插叙的手法，讲述了三位主人公法罕、拉加与兰彻间的大学故事。兰彻是一个与众不同的大学生，公然顶撞院长，并质疑他的教学方法，用智慧打破学院墨守成规的传统教育观念。兰彻的特立独行引起模范学生——绰号“消音器”的查尔图的不满，他们约定十年后再一决高下，然而毕业时兰彻却选择了 ...他们都在印度的著名学府帝国工业大学就读。
大学：印度的著名学府帝国工业大学
参考资料网络
② 印度有没有什么学电影的好学校
没有，印度的导演大多是美国或者英国出来的
③ 印度有没有什么好的电影学院
下边这段英文是介绍尼赫鲁大学艺术及美学学院的简介，你来看一下：
The School of Arts and Aesthetics is one of the few places in India that offers post-graate degree courses in the theoretical and critical study of the cinematic, visual and performing arts. Moreover, it is the only place in India where these disciplines are offered in one integrated programme that allows students to understand the indivial arts in a broader context of history, sociology, politics, semiotics, gender and cultural studies apart from being able to integrate the study of one art form with the other arts. The three streams of study offered at the school are Visual Studies, Theatre and Performance Studies and Cinema Studies.
The pedagogic approach of the SAA recognises that it no longer suffices to study a work of art as an 'object' in isolation, apart from the social forces that shape and give it meaning. The teaching here adopts a multidisciplinary approach drawing on insights from the fields of anthropology, history, media and cultural studies. Students are introced to a range of research methods that combine archival, ethnographic, theoretical and cultural approaches.
The School focuses on taught degree programmes. The faculty encourages students - and other interested persons - to take advantage of Delhi's cultural riches by visiting exhibitions, theatre, film and music festivals. The School organises field trips to monuments and museums and to observe traditional theatre, music and dance practices across India. The School also has a busy schele of lectures and seminars by visiting scholars and artists from across the world and occasionally hosts performances as well.
Visual Studies faculty offer courses on ancient Indian Art and Architecture, Aesthetic theories, Mughal and Rajput painting, Modern and Contemporary Art, and Popular Culture. These are taught together with courses that familiarise the students with the materials and methods of procing the visual arts and the history of the institutions that house, showcase and promote them.
At present, visiting faculty give further instruction on the architecture of the Sultanates, and in the coming year the School plans to develop further its courses on the Indian painting.
Theatre and Performance Studies comprise theatre, dance, music as well as other non-aesthetic performances like ritual, healing and forms of public spectacles. In India countless forms of theatre, semi-theatre, and classical, folk and tribal dance and ritual are still alive and immensely popular. Their nature is not based on any strict antagonism between 'classical' and 'folk'. Further, India's shastric traditions also seem to percolate across regions and through levels of high and low culture. The current faculty in this area cover courses in the field of ancient, medieval and contemporary Indian theatre, while visiting faculty instruct in the fields of the history of dance and music.
Cinema Studies is one of the most significant academic disciplines to have emerged internationally in the last few decades. This is not surprising since the birth of the cinema transformed our sense of the world, and film has evolved both as a social institution and as the most powerful art form of the 20th century. As a discipline Cinema Studies is extremely interdisciplinary and it draws on the content and methods of literature, history, sociology, political science, anthropology, and economics among others.
India has been for half a century the world's largest film procing country with an output in several different languages. Responding to local traditions of performance and representation, the Indian film instry has evolved a distinctive form and aesthetic. Today, Indian cinema is widely circulated outside the country to foreign audiences in Russia, the Middle East, Africa and Latin America and the Indian diasporas. Indian cinema is the screen through which many parts of the world 'see' India. The introction of Film Studies is a major academic addition to the programmes of the School.
④ 求印度的一部电影,大学校长不让谈恋爱,把校园分成两块，学校的一位小提琴老师鼓舞三个学生打开了中间的
情字路上
外文名
Mohabbatein
其它译名
情字路上
出品时间
2000年
制片地区
印度
导 演
阿迪提亚·乔普拉
编 剧
阿迪提亚·乔普拉
类 型
爱情/校园/伦理
主 演
阿米特巴·巴强，沙鲁克·罕，尤代·乔普拉，裘格尔·汗斯拉吉
片 长
3小时36分钟
上映时间
2000年10月27日
对白语言
国语、外语
主要奖项
46届印度电影大奖最佳男主角
46届印度电影大奖最佳录音
索尼最佳场影奖
⑤ 有一部电影，好像印度的，讲的是一个男孩，去一所大学里面上学的，然后在学校里面发生的一些搞笑的是。
<三傻大闹宝莱坞>主演: 阿米尔·汗 / 卡琳娜·卡普 / 马德哈万 / 沙尔曼·乔什 / 欧米·维迪亚 / 波曼·伊拉妮 / Mona Singh / Rajeev Ravindranathan
本片根据印度畅销书作家奇坦·巴哈特（Chetan Bhagat）的处女作小说《五点人》（Five Point Someone）改编而成。法兰（马德哈万 R Madhavan 饰）、拉杜（沙曼·乔希 Sharman Joshi 饰）与兰乔（阿米尔·汗 Aamir Khan 饰）是皇家工程学院的学生，三人共居一室，结为好友。在以严格著称的学院里，兰乔是个非常与众不同的学生，他不死记硬背，甚至还公然顶撞校长“病毒”（波曼·伊拉尼 Boman Irani 饰），质疑他的教学方法。他不仅鼓动法兰与拉杜去勇敢追寻理想，还劝说校长的二女儿碧雅（卡琳娜·卡普 Kareena Kapoor 饰）离开满眼铜臭的未婚夫。兰乔的特立独行引起了模范学生“消音器”（奥米·维嘉 Omi Vaidya 饰）的不满，他约定十年后再与兰乔一决高下，看哪种生活方式更能取得成功。
⑥ 关于印度留学,电影学院之类的 我是一个高二的编导生,想报考印度的电影
同学 宝莱坞、一言不合就歌舞这么吸引你么。。。
⑦ 有一部讲印度大学生的电影
你说绝对是《三傻大闹宝莱坞》很好看，还有一部也是那个主角主演的电影，评分也是十分高的,<地球上的星星>，但我还没来得及看，不过应该是也好的，这两部电影评分都很高。这电影拍的，能和美国的高分大片拼一下了。唉，中国拍的电影都是些什么啊！
⑧ 印度电影 关于大学生活的
三傻大闹宝莱坞 曾几何时 废柴学院 亲爱的你完了
都是印度大学生活片~
⑨ 求一部印度电影 女主在大学初次见男主不小心用嘴唇碰到男主的脸 男女主一见钟情 女主哥哥是黑社会
乘龙快婿 Welcome (2007)
导演: Anees Bazmee
主演: 阿克谢·库玛尔 / 卡特莉娜·卡芙 / 玛丽卡·沙拉瓦特
类型: 剧情 / 喜剧 / 犯罪
制片国家/地区: 印度
语言: 北印度语
⑩ 那个好像是印度电影,有一幕是大学里三个男生迟交考试卷时监考老师不让交后其中一位弄乱所有试卷的电影叫什
3 idiots 三傻大闹宝莱坞(2009)
主演
Aamir Khan米尔·汗
Kareena Kapoor卡琳娜·卡普
导演
Rajkumar Hirani拉库马·希拉尼