A. 奇幻童话电影《匹诺曹》定档6月1日儿童节，你的童年回忆是什么
我童年的回忆应该就是夏天可以下河游泳，冬天可以看雪花；
现在这两样都没有办法实现了，所以会格外怀念童年的美好；
那时候虽然说没有手机但是依旧觉得过得很快乐，因为可以尽情享受大自然的美好；
现在河水都被污染了，再也没有人会下河去游泳了；
冬天也没有下雪，根本感受不到冬日的美景。
童年回忆是冬天下雪
小时候的记忆里好像只要是冬天就一定会下雪，然后会和大家一起到门外去堆雪人、打雪仗；
我都已经不记得多久没有在冬天看到过下雪，所以真的很怀念下雪的冬天。
童年回忆是去外婆家
每次放暑假的时候就会去外婆家玩，那时候在外婆家割稻子、收谷子、抓螃蟹；
如今外婆已经走了，我也有好久都没有回到那里了。
B. 如何评价电影《匹诺曹》
《匹诺曹》是一部对儿童友好的电影，导演马提欧·加洛尼削弱了原著中的黑暗情节，使得这个故事具有更普遍的情感共鸣 。
在该片中，罗伯托·贝尼尼对戈佩托独特朴实的演绎足以让观众感受到了父亲对孩子的纯真的关爱，当他发现木偶有生命时，他传递出的欢乐超越了童话本身赋予的情感。
化妆师马克·凯奥耶再次在该片中通过富有想象力的创造力来证实了自己的才华，他巧妙地设计了有着一双闪闪发光的眼睛和坚硬的木纹脸庞的匹诺曹，给半人半木偶的匹诺曹形象增加了说服力。在摄影师尼古拉·布吕尔的镜头下，无论是托斯卡纳地区金黄的小麦，还是普利亚地区绿油油的橄榄树都充分彰显了意大利的美丽。
剧情简介
老人戈佩托（罗伯托·贝尼尼饰）把一块能哭会笑的木头雕成了木偶，他把取得生命的小木偶当成儿子，并给木偶取名匹诺曹（费德里科·伊帕迪饰）。戈佩托卖掉了上衣，换取了供匹诺曹学习的课本。
可是匹诺曹一心贪玩，为了看木偶戏不惜卖掉课本。匹诺曹随后在木偶戏班获得了戏班老板曼吉亚福科（吉吉·普罗耶蒂饰）的五枚金币，回家路上却被狐狸（罗科·帕帕莱奥饰）和猫（马西莫·切可里尼饰）骗走了金币。
不久后，在仙女（玛丽恩·瓦斯饰）的教导下，匹诺曹一心想成为一个用功读书的好孩子，可是他又经不起诱惑，在坏同学的怂恿下被引诱到玩儿国，在疯狂地玩了一段时间后，匹诺曹变成一头又懒又蠢的驴。
后来，匹诺曹被鲨鱼吞进了肚子里，他和戈佩托在鲨鱼腹中意外重逢，并成功地逃了出来。他们在海边住下，匹诺曹也在仙女的帮助下并变成一个真正的小孩子。
C. 求1983版《木偶奇遇记》（又叫匹诺曹）真人版。
鼻子会长长的
D. 木偶奇遇记里皮诺曹跟一群小孩子去马戏团看节目 然后被抓走变成了动物 还跑到了鲸鱼的肚子里
木偶奇遇记;经典童话故事哦，如果你要链接的话;直接在网络搜索啦。里面都很全的。
E. 皮诺曹 动画片
http://www.verycd.com/topics/2810016/《木偶奇遇记》 是科洛迪的代表作，发表于1880年。当仁慈木匠皮帕诺睡觉的时候，梦见一位蓝色的天使赋予他最心爱的木偶皮诺曹生命，于是小木偶开始了他的冒险。如果他要成为真正的男孩，他必须通过勇气、忠心以及诚实的考验。在历险中，他因贪玩而逃学，因贪心而受骗，还因此变成了驴子。最后，他掉进一只大鲸鱼的腹中，意外与皮帕诺相逢……经过这次历险，皮诺曹长大了，他变得诚实、勤劳、善良，终于成为了一个真正的男孩。
F. 一部关于木偶匹诺曹的美国电影
木偶奇遇记
真人版的话是1983年匹威·赫曼主演。
看下是不是这个
http://www.tudou.com/programs/view/HB_wb-nMT1A/isRenhe=1
G. 小时候看过外国的一个电影匹诺曹很早的电影了
是《木头美人》···
很早的
H. 求动画片匹诺曹的英文影评
Such animation seems to be dwindling today when looking at- and thinking a lot about- Pinocchio, one of the real landmarks that Walt Disney ever proced. It might have not sparked up as much fascination when it was first released as Snow White and Dumbo did (apparently this and Fantasia did poorly on first release), but over time it's definitely got its place in the pantheon of truly wonderful works by the company. It tells a story that even babies can grasp- something that isn't really real that wants to be so for his creator. In fact, this is probably one of the most palatable stories for kids, about the dire straits of not just trying to fit in, but being a kid and still having to learn responsibilities, truth and courage. Of course, few kids will ever see their friends turn into donkeys or get thrown into the belly of a whale. But it's such out-of-this-world things that make the film so fantastic and terrifying in equal measure. It might lack the overall surreal whammy of Dumbo and Alice in Wonderland, yet in a small group of leaving a lasting impact Pinocchio has its unique bits.
It's got about all that someone could ask for with an animated film, for kids and alts alike. It's got plenty of colorful side characters, both sweet and clumsy and goofy and smart (all taking up the animals like Figaro, the Goldfish, and especially the iconic Jiminy Cricket), as well as ignorant, villainous and evil (Lampwick, Stromboli and Honest John among others). All of these characters are so rich in their simple characterizations that the combination of the old vocal talents- meant more for direct style and appearance instead of star power like in todays animation- and the distinct look of each character, make them all compelling to one degree or another. Just thinking about the scenes with Stromboli, for example, make me think that there had to be someone that imposing and larger-than-life in appearance acting it out as opposed to just the drawing being that. Only the Blue Fairy is the bland type, drawn in the Snow White style. But then the rest of the picture- particularly for Pinocchio and Gepetto- is up for grabs with whatever can be done with them.
So much emotion actually comes out of scenes. And it alternates very well, much as in fairy tales and other fantastical fiction. Pinocchio performs "I've got no strings" in one scene, which is one of the typical highlights, and then the next scene such sweetness gets contrasted with the defeat imposed by the evil Stromboli. What leaves the biggest impression, however, is Fantasy island, where all the boys who don't want to go to school go to, and soon enough (from Cricket's own words), become donkeys. I would probably rank that transformation scene of Lampwick's, by the way, as one of the top 5 scenes in any animated effort ever proced; it starts off kind of amusing, the way Pinocchio tries to put down the cigar, and then becomes like a child's true nightmare as we see his full-on transformation. It's an example of using abstractions that always work best in fairy tales, and somehow has become lost among the constant barrage of juvenile CGI films as of late. Seeing work like this again reminds one of the completeness given in well-rounded (if 2-dinemnsional) stories.
It's got action, music, pomp and circumstance, countless chances at very goofy gags and silly puns, and somehow it all works just as well- if not better in a way- as an alt as when I was a kid. Is it cheesy at times and maybe here and there hitting points home a little hard? Sure. But I never had any dis-liking to the characters, never really felt that I was being cheated with motivations or in some kind of truth in the un-reality of it all. Not to sound cheesy myself, but it is a timeless kind of picture, with a story that when told well can strike a chord with just about anyone willing for the experience. It's old-fashioned sensibilities are still resonant, and the proction values are all top-notch.
I. 皮诺曹是哪部电影的角色
《木偶奇遇记》是科洛迪的代表作，发表于1880年。他由木偶最后变成真人的奇特经历中发现些许于我们有益的人生至理。皮诺曹的经历被称之为“奇遇”，但那可不是一般意义上的离奇遭遇，其中蕴藏着等待我们去仔细咀嚼的深长意味。这个看似简单的道理并非是一个人生来就可以明白的。否则，皮诺曹也就无需煞费周折才得以完成了这一历程了。该作品于1940年被迪斯尼公司改编为动画电影，后分别于1983年和2002年翻拍真人版。