推手電筒影用英語怎麼說

⑴ 《推手》電影中有關於文化沖突或差異的評論要英文的謝謝！！！！

The story is about an elderly Chinese t'ai chi ch'uan teacher and grandfather who emigrates from Beijing to live with his son, American daughter-in-law, and grandson in a New York City suburb. The grandfather is increasingly distanced from the family as a "fish out of water" in Western culture. The film shows the contrast between traditional Chinese ideas of Confucian relationships within a family and the much more informal Western emphasis on the indivial. The friction in the family caused by these differing expectations eventually leads to the grandfather moving out of the family home (something very alien to traditional expectations), and in the process he learns lessons (some comical, some poignant) about how he must adapt to his new surroundings before he comes to terms with his new life.
The title of the film refers to the pushing hands training that is part of the grandfather's t'ai chi routine. Pushing hands is a two person training which teaches t'ai chi students to yield in the face of brute force. T'ai chi ch'uan teachers were persecuted in China ring the Cultural Revolution, and the grandfather's family was broken up as a result. He sent his son to the West several years earlier and when he could he came to live with his family with the expectation of picking up where they left off, but he was unprepared for the very different atmosphere of the West. "Pushing Hands" thereby alludes to the process of adaptation to culture shock felt by a traditional teacher in moving to the United States.

⑵ 推手 PUSHING HANDS怎麼樣

類似背景的電影，像刮痧，總能引起人們的一些思考。片子的前十多分鍾，沒有一句對白，兒子回家第一次吃晚飯時的三人對話，是整部影片我最喜歡的部分，文化差異和沖突是影片的基調，但在內涵的表現上卻跟其他影片有著天差地別，這也是李安最與眾不同的部分。另外郎老先生的表演真心好，十分喜歡。

⑶ 《推手》電影中關於文化沖突或差異的評論要英文的謝謝！！！！

Pushing Hands is Ang Lee's first film after graation, and the first episode of his "Triad of Father." In spite of its status as an early work, it manifests subtlety, elegance and articulation in narration style constantly seen in his latter works. Everyone, whether seen this film or not, can tell that it's about the bondage and gap of affection, relation and interaction within family, but it's more than that. It also tells about culture, not only the apparent differentiation, but the shift within a man's life, the time and the whole modern history of China. If you understand Chinese(language, culture and history), it is delicately overwhelming. If not, it's still amiable and a bit exotic. Pushing Hands is so worth viewing and contemplating again and again.

⑷ 電影《推手》的英文介紹

Master Chu, a retired Chinese Tai-Chi master, moves to Westchester, New York to live with his son Alex, his American daughter-in-law Martha, and their son Jeremy. However, Martha's second novel is suffering from severe writers' block brought on by Chu's presence in the house. Alex must struggle to keep his family together as he battles an inner conflict between cultural tradition and his modern American lifestlye. Written by Kathy Li

Sihung Lung, the actor who played Master Chu, the aging tai chi master, gave a very convincing and sincere performance in this film. It was no wonder that he won the Golden Horse (Taiwan's equivalent for the Oscars) for Best Actor in this film. His performance was extremely touching, as tears jerked into my eyes as I see an aging and traditional Chinese father trying to get along with his westernized family while also trying to adjust to life in a new place and culture. The film encourages people, especially new immigrants, to emphasize and put themselves in their parents' shoes. Try to understand how difficult it is for them to come and settle in a new place and try not to push them away. Be patient with them, take a step back and everything may be better.

The movie title, "Pushing Hands", is very appropriate, as this is the term for an exercise in tai chi in which a person achieves balance by giving up balance. In this non-aggressive exercise between 2 people, a person offers no resistance at all to the pressure or push that the other person is exerting and keeps borrowing this strength until they feel they have fused into one and thus have achieved harmony. This was what Master Chu did. Although his daughter-in-law kept misunderstanding him, causing much discontent and eventually got his son to try to sent him away, he offered no resentment or a temper tantrum. He simply walked away gracefully. This action caused his son to appreciate him and remember why he got his father to live together in the first place in a tear jerking scene and finally they worked out a solution. They decided to give each other space by living separately instead of pushing each other away. In the end everyone was much happier, as even the daughter-in-law learned to accept the father, symbolized by her decorating the guest room for him and asking the question if he would ever visit. The father achieved the balance that he seek in Tai-Chi.

Ang Li is simply amazing and sensational. He did what he could with the limited budget and created a very warm and tear jerking film. Although this film was not the highest quality (the version I saw was very unclear and skips sometimes) and it could feel slow at times, especially the beginning sequence, the film was a great work in directing. The film picked up its pace after the slow beginning without any big fighting scenes or explosions and never felt boring afterwards. Also, from the beginning sequence, where he was able to show the dissension and gap between the daughter-in-law and the father by using just different scenes and visuals, to scenes throughout the film where he used lighting and different camera angles to show the internal pain and sadness that the father experience, it was, simply put, a great piece of art considering the budget. It showcased the talent of Li and gave the audience a glimpse of the man who would bring us the memorable Couching Tiger, Hidden Dragon.

⑸ 哪個好心人能給我李安電影《推手》的英文劇本

有此片的英文字幕，可以在115網盤下載，點擊下面的地址：
http://e-card.51.net//115_pickup_file.htm
輸入提取碼t958a141c4，即可下載。
解壓後是srt文件，用記事本打開，就是英文台詞了。

⑹ 電影《異能》中的有異能的人用英文怎麼說啊 我要全部的 譬如 先知是watcher，但是百度翻譯里不一樣！

Watchers（推手）
「推手」能入侵人的思想，讓人們把「推手」所編造的一些謊話當作事實甚至命令控制意志較薄弱的人。（代表人物：琪拉、亨利·卡佛探員）
Movers（靈動人）
一般人認識的超能力（念力），能以意念移動人或物體，是一般對異能人的簡單稱呼。（代表人物：尼克·甘特）
Pushers（透視人）
「透視人」能看到未來的景像，亦可以尋找人或物的蹤影。（代表人物：凱西·荷姆斯）
Bleeders（音爆人）
能從口發出巨大聲音對物件甚至人作出損傷。（代表人物：THE POP BOYS）
Sniffs（靈嗅人）
能從接觸過的東西，知道它所到的地方。（代表人物：EMILY HU）
Shifters（變形人）
「變形人」能把一件物件變成另一件物件。（代表人物：HOOK WATERS）
Wipers（消憶人）
能將某些物件或人匿跡，使一般人不能見到，包括靈嗅人，但逃不過透視人的能力。但不能使一棟巨大建築匿跡。（代表人物：PINKY STEIN）
Shadows（靈影者）
能把人們的某部分記憶消除（代表人物：WO CHIANG）
Stitches（靈療師）
幫人治療創傷，又或將人扭傷（代表人物：TERESA STOWE）

⑺ 電影《推手》得寫作背景以及情節介紹

《推手》（英文：Pushing Hands）是一部於1991年上映的台灣電影，是李安執導的第一部電影，由郎雄、王萊等主演。電影上映前，因劇本獲得台灣行政院新聞局頒贈40萬新台幣獎金，配合中央電影公司的支持下，讓李安首度獲得執導的機會。台灣導演李安運用近代家庭變遷搭配細膩描述親情互動，因而享譽國際的『父親三部曲』之第一部曲。

劇情簡介

朱老自小練就一身太極拳，是北京市太極拳的總教頭，膝下育有一位定居美國的兒子朱曉生。某天，從小孝順的兒子曉生為盡孝道，游說留在故鄉的老父移民到美國，一起與兒子和洋兒媳同住。

但是，朱老由於語言不通及生活習慣不同，導致無法適應美國的生活，甚至於令他與洋媳婦瑪莎漸生磨擦，彼此都認為無法與對方相處，完全要透過曉生間接表達，更由於瑪莎內心的排斥，對朱老的一舉一動均不能接受，致無法專心從事寫作工作，最後導致胃出血而入院。

瑪莎經過療養出院後，依然無法接納朱老，一天，朱老因為小家庭氣氛太沉悶，往外頭遛達，在人生地不熟的美國，迷了路回不了家。曉生得知父親走失的消息，急的如熱鍋上的螞蟻，駕車四處尋找，卻幾度尋找不著，曉生回到家中後，對妻子瑪莎發了一頓脾氣，把家當摔了滿地，終於摔醒了瑪莎的心。

朱老後來被警方尋回，但為了顧及兒子與兒媳婦一家生活的圓滿，離家自尋生活，獨自一人跑到唐人街一家餐館幫人洗碗盤打工維持生活，由於洗碗盤手生不俐落而備受老闆奚落，第二天就要將他解僱，並且出言相辱，朱老受辱不願離開，老闆令其手下欲強行將朱老拖出，惟朱老練過太極拳，深諳推手功夫，只見他原步未動，馬步一紮，身形微沉，利用聽勁走化技巧，七、八個壯漢無法將他移動半步，老闆大怒，找來華青幫小混混，在廚房與朱老大戰，朱老以幾個太極拳散手工夫便將小混混撂倒，後來美國警察出來收拾殘局，費盡九牛二虎之力才將朱老帶回警局看守所中。

朱老被警方帶走，曉生驅車前去探望，瑪莎內心甚為感慨，後來曉生將朱老保出，並買了一間較大的房子，也為朱老備了一間練功房，欲接朱老回家，但朱老不想破壞兒子一家溫馨的生活，寧願獨自在外賃屋而居，並在華人活動中心教授太極拳，也不願返回兒子身邊。

⑻ 電影推手的經典英文台詞及翻譯 5句

電影推手的完整台詞，中英對照，見附件。

txt 格式，用記事本打開。