① 印度電影三個傻瓜大鬧寶萊塢是哪所大學
《三傻大鬧寶萊塢》
《三傻大鬧寶萊塢》根據印度暢銷書作家奇坦·巴哈特的處女作小說《五點人》改編而成的印度寶萊塢電影，由拉庫馬·希拉尼執導，阿米爾·汗、馬德哈萬、沙爾曼·喬什和卡琳娜·卡普等聯袂出演。2011年12月8日在中國內地上映。影片採用插敘的手法，講述了三位主人公法罕、拉加與蘭徹間的大學故事。蘭徹是一個與眾不同的大學生，公然頂撞院長，並質疑他的教學方法，用智慧打破學院墨守成規的傳統教育觀念。蘭徹的特立獨行引起模範學生——綽號「消音器」的查爾圖的不滿，他們約定十年後再一決高下，然而畢業時蘭徹卻選擇了 ...他們都在印度的著名學府帝國工業大學就讀。
大學：印度的著名學府帝國工業大學
參考資料網路
② 印度有沒有什麼學電影的好學校
沒有，印度的導演大多是美國或者英國出來的
③ 印度有沒有什麼好的電影學院
下邊這段英文是介紹尼赫魯大學藝術及美學學院的簡介，你來看一下：
The School of Arts and Aesthetics is one of the few places in India that offers post-graate degree courses in the theoretical and critical study of the cinematic, visual and performing arts. Moreover, it is the only place in India where these disciplines are offered in one integrated programme that allows students to understand the indivial arts in a broader context of history, sociology, politics, semiotics, gender and cultural studies apart from being able to integrate the study of one art form with the other arts. The three streams of study offered at the school are Visual Studies, Theatre and Performance Studies and Cinema Studies.
The pedagogic approach of the SAA recognises that it no longer suffices to study a work of art as an 'object' in isolation, apart from the social forces that shape and give it meaning. The teaching here adopts a multidisciplinary approach drawing on insights from the fields of anthropology, history, media and cultural studies. Students are introced to a range of research methods that combine archival, ethnographic, theoretical and cultural approaches.
The School focuses on taught degree programmes. The faculty encourages students - and other interested persons - to take advantage of Delhi's cultural riches by visiting exhibitions, theatre, film and music festivals. The School organises field trips to monuments and museums and to observe traditional theatre, music and dance practices across India. The School also has a busy schele of lectures and seminars by visiting scholars and artists from across the world and occasionally hosts performances as well.
Visual Studies faculty offer courses on ancient Indian Art and Architecture, Aesthetic theories, Mughal and Rajput painting, Modern and Contemporary Art, and Popular Culture. These are taught together with courses that familiarise the students with the materials and methods of procing the visual arts and the history of the institutions that house, showcase and promote them.
At present, visiting faculty give further instruction on the architecture of the Sultanates, and in the coming year the School plans to develop further its courses on the Indian painting.
Theatre and Performance Studies comprise theatre, dance, music as well as other non-aesthetic performances like ritual, healing and forms of public spectacles. In India countless forms of theatre, semi-theatre, and classical, folk and tribal dance and ritual are still alive and immensely popular. Their nature is not based on any strict antagonism between 'classical' and 'folk'. Further, India's shastric traditions also seem to percolate across regions and through levels of high and low culture. The current faculty in this area cover courses in the field of ancient, medieval and contemporary Indian theatre, while visiting faculty instruct in the fields of the history of dance and music.
Cinema Studies is one of the most significant academic disciplines to have emerged internationally in the last few decades. This is not surprising since the birth of the cinema transformed our sense of the world, and film has evolved both as a social institution and as the most powerful art form of the 20th century. As a discipline Cinema Studies is extremely interdisciplinary and it draws on the content and methods of literature, history, sociology, political science, anthropology, and economics among others.
India has been for half a century the world's largest film procing country with an output in several different languages. Responding to local traditions of performance and representation, the Indian film instry has evolved a distinctive form and aesthetic. Today, Indian cinema is widely circulated outside the country to foreign audiences in Russia, the Middle East, Africa and Latin America and the Indian diasporas. Indian cinema is the screen through which many parts of the world 'see' India. The introction of Film Studies is a major academic addition to the programmes of the School.
④ 求印度的一部電影,大學校長不讓談戀愛,把校園分成兩塊，學校的一位小提琴老師鼓舞三個學生打開了中間的
情字路上
外文名
Mohabbatein
其它譯名
情字路上
出品時間
2000年
製片地區
印度
導 演
阿迪提亞·喬普拉
編 劇
阿迪提亞·喬普拉
類 型
愛情/校園/倫理
主 演
阿米特巴·巴強，沙魯克·罕，尤代·喬普拉，裘格爾·汗斯拉吉
片 長
3小時36分鍾
上映時間
2000年10月27日
對白語言
國語、外語
主要獎項
46屆印度電影大獎最佳男主角
46屆印度電影大獎最佳錄音
索尼最佳場影獎
⑤ 有一部電影，好像印度的，講的是一個男孩，去一所大學裡面上學的，然後在學校裡面發生的一些搞笑的是。
<三傻大鬧寶萊塢>主演: 阿米爾·汗 / 卡琳娜·卡普 / 馬德哈萬 / 沙爾曼·喬什 / 歐米·維迪亞 / 波曼·伊拉妮 / Mona Singh / Rajeev Ravindranathan
本片根據印度暢銷書作家奇坦·巴哈特（Chetan Bhagat）的處女作小說《五點人》（Five Point Someone）改編而成。法蘭（馬德哈萬 R Madhavan 飾）、拉杜（沙曼·喬希 Sharman Joshi 飾）與蘭喬（阿米爾·汗 Aamir Khan 飾）是皇家工程學院的學生，三人共居一室，結為好友。在以嚴格著稱的學院里，蘭喬是個非常與眾不同的學生，他不死記硬背，甚至還公然頂撞校長「病毒」（波曼·伊拉尼 Boman Irani 飾），質疑他的教學方法。他不僅鼓動法蘭與拉杜去勇敢追尋理想，還勸說校長的二女兒碧雅（卡琳娜·卡普 Kareena Kapoor 飾）離開滿眼銅臭的未婚夫。蘭喬的特立獨行引起了模範學生「消音器」（奧米·維嘉 Omi Vaidya 飾）的不滿，他約定十年後再與蘭喬一決高下，看哪種生活方式更能取得成功。
⑥ 關於印度留學,電影學院之類的 我是一個高二的編導生,想報考印度的電影
同學 寶萊塢、一言不合就歌舞這么吸引你么。。。
⑦ 有一部講印度大學生的電影
你說絕對是《三傻大鬧寶萊塢》很好看，還有一部也是那個主角主演的電影，評分也是十分高的,<地球上的星星>，但我還沒來得及看，不過應該是也好的，這兩部電影評分都很高。這電影拍的，能和美國的高分大片拼一下了。唉，中國拍的電影都是些什麼啊！
⑧ 印度電影 關於大學生活的
三傻大鬧寶萊塢 曾幾何時 廢柴學院 親愛的你完了
都是印度大學生活片~
⑨ 求一部印度電影 女主在大學初次見男主不小心用嘴唇碰到男主的臉 男女主一見鍾情 女主哥哥是黑社會
乘龍快婿 Welcome (2007)
導演: Anees Bazmee
主演: 阿克謝·庫瑪爾 / 卡特莉娜·卡芙 / 瑪麗卡·沙拉瓦特
類型: 劇情 / 喜劇 / 犯罪
製片國家/地區: 印度
語言: 北印度語
⑩ 那個好像是印度電影,有一幕是大學里三個男生遲交考試卷時監考老師不讓交後其中一位弄亂所有試卷的電影叫什
3 idiots 三傻大鬧寶萊塢(2009)
主演
Aamir Khan米爾·汗
Kareena Kapoor卡琳娜·卡普
導演
Rajkumar Hirani拉庫馬·希拉尼